Is there a connection among craftsmanship and science, especially physical science? Assuming there is, that surely makes them odd associates most definitely. Craftsmen utilize pictures and illustrations; while, physicists use numbers and conditions. Craftsmen take part in the innovative domain of style; the researcher invests his energy in a universe of fresh sharp numerical connections, particularly between quantifiable properties. Craftsmen make deceptions intended to inspire feelings; physicists manage exactitude. They are pretty much as various as are night and day. Be that as it may, recall there are shades of murkiness and light streaming into each other when they are compared. What’s more, that remains constant of craftsmanship and science.
Barely any, references to workmanship show up Nail Polish in material science course readings, and unquestionably craftsmanship evaluates and students of history don’t decipher imaginative works as far as ideas pertinent to physical science. There is one who brings these two disparate fields of attempt together. Leonard Shlain in Art and Physics does precisely that. Shlain obviously trusts that regardless of their evident hopeless contrasts, there is one element that emphatically weds these two assorted regions. In fact both are analytical. However, what is it they explore that gives them normal bond? Single word summarizes it: reality.
Obviously their systems are profoundly unique, both craftsman and physicists share a typical craving to inspect and to research how the different bits of reality fit together. It is this that is the shared conviction of the craftsman and of the physicist; the Acropolis whereupon the two meet.
The researcher endeavors to break nature into its constituents parts, to dissect the relationship of those parts. The craftsman, then again, compares various elements of nature, of the real world. He does as such to incorporate those elements so the entire work is more prominent than the amount of its singular parts. The author is the same.
Noted author Vladimir Nabokov put it thusly, “There is no science without extravagant and no workmanship without truth.”